| Jackson Moore | • | Saxophone |
| Russ Johnson | • | Trumpet |
| Mike Fahie | • | Trombone |
| Christopher Tordini | • | Bass |
| Tommy Crane | • | Drums |
| Mike Pride | • | Drums |
| Dan Weiss | • | Drums |
Inspired by organizations such as the Sun Ra Arkestra and the AACM, Jackson Moore has pursued a career outside the convential boundaries of the music industry. Over the years he has organized an anarchist community orchestra, recorded a songbook of radically antisymmetrical tunes, created a fully functional musical pidgin language, developed a compositional formalism based on natural language syntax, and organized the New Languages Festival, among other things.
In this performance the septet will striate the venue with rhythmic vectors that 'dye' the ligaments of subjective time. They will use swing to loft a temporal forcefield into the air that provides an omni-directional rhythm section landscape for the listener's imagination to solo over.
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Too Marvelous for Words (alternate take) from the the album Standards,
available from Aletheia Records
featuring Jackson Moore on alto saxophone, Nate Wooley on Trumpet,
Shelley Burgon on Harp, Eivind Opsvik on Bass, and Mike Pride on Drums